It is overseen by the Board of Trustees Secretariat and Legal Affairs. [65], In September 2011, the NFB and the Montreal French-language daily Le Devoir announced that they would jointly host three interactive essays on their websites, ONF.ca and ledevoir.com. [11], Beginning on 2 May 2014, the NFB's 75th anniversary was marked by such events as the release of a series of commemorative stamps by Canada Post,[30] and an NFB documentary about the film board's early years, entitled Shameless Propaganda. The round head in between then resembles a pupil, making the entire symbol appear to be an eye with legs. Shannon was designated as Executive Director of the new studio—the first government-funded film studio dedicated to women filmmakers in the world— which became one of the NFB's most celebrated filmmaking units, winning awards and breaking distribution records. [170] In 2015, the NFB-co-produced webdoc Seven Digital Deadly Sins received three People's Voice Awards, chosen by the public online, at the 2015 Webby Awards. Most of the content is available to everyone, some of it is restricted to the US. [115][116] In 2009, Norman McLaren's Neighbours was added to UNESCO's Memory of the World Programme, listing the most significant documentary heritage collections in the world.[117]. [29] The NFB eliminated 73 full and part-time positions. [32][33], NFB documentarians played a key role in the development of the IMAX film format, following the NFB multi-screen experience In the Labyrinth, created for Expo 67 in Montreal. (political aspects of Academy Awards, 1983).Richard Grenier. The move had been championed by NFB producers such as Rex Tasker, who became the first executive producer of the NFB's studio in Halifax. [31], In the post-war era the NFB became a pioneer in new developments in documentary film. [5] The NFB will occupy the first six floors of the building, which will allow it to have closer contact with the public, and will also feature expanded digital media research and production facilities. These revenues are from print sales, film production services, rentals, and royalties, and total up to $10 million yearly; the NFB lists this as Respendable Revenues in its financial statements. In the early 1970s, two Quebec political documentaries, Denys Arcand's On est au coton and Gilles Groulx's 24 heures ou plus, were initially withheld from release by the NFB due to controversial content. After Expo, Kroitor left the NFB to co-found what would become known as IMAX Corporation, with Graeme Ferguson and Robert Kerr. [21] The Challenge for Change was also created the same year as a community media project which would develop the use of film and video as a tool for initiating social change. [40] Staff at the Centre d'animatique included Daniel Langlois, who left in 1986 to form Softimage. These images were widely distributed through publication in various media. [12], In 1938, the Government of Canada invited John Grierson, a British documentary film producer who introduced the term "documentary" to English-speaking film criticism, to study the state of the government's film production. In spring 2019, the NFB moved its headquarters from the Norman McLaren Building in the Montreal borough of Saint-Laurent to the new Îlot Balmoral building located at Montreal's Quartier des spectacles, adjacent to the Place des Festivals [fr] square. From 1941 to 1984, the Division commissioned freelance photographers to document every aspect of life in Canada. Commentary 75. [94] In 2018-19, 48% of NFB works were directed by women (38% by men and 14% by mixed teams), and 44% of the NFB production budget was allocated to works created by women (41% for works by men and 15% for works by mixed teams). The Canadian Film Development Corporation would become responsible for promoting the development of the film industry. The animation department eventually gained distinction, particularly with the pioneering work of McLaren, an internationally recognized experimental filmmaker. It will be broadcast on TVO and stream free on NFB.ca and TVO.org. - NFB/blog", "New stamp issue celebrates the 75th anniversary of the National Film Board", "Documentary reveals NFB wartime propaganda", Challenge for Change: Activist Documentary at the National Film Board of Canada, "Pictures of age and ageing in Cynthia Scott's The Company of Strangers", "NFB French Animation Founder René Jodoin Dies", "NFB pushes Canadian artists in edgy direction", "Shaun the Sheep leads the stop-motion animation revival", "L'Office national du film et le cinéma canadien (1939-2003)", "Siggraph: Oscar Winner Chris Landreth Shows His New Short 'Subconscious Password, "A documentary like no other documentary", "Expert: Canada Primed to Become Major Transmedia Player", "Canada is king of the New Frontier at Sundance Film Festival", "IDFA Opener "Position Among the Stars" Takes Top Festival Prize", "NFB's Highrise web project wins Digital Emmy", "Multimedia Heartbreaker: The National Film Board of Canada", "Bla Bla: An Arcade Fire collaborator gets into baby talk", "La programmation numérique à l'ONF / Entretien avec Hugues Sweeney", "New realities: Computers are adapting to humans", "Webby Awards 2016 winners include The Weeknd, the NFB", "National Film Board Of Canada Launches New Movie Site, 700 Free Films For Streaming, Linking, And Embedding", "How Tom Perlmutter turned the NFB into a global new-media player", "The National Film Board's online success out in the open", "Free movies on your iPad from the National Film Board", "National Film Board of Canada releases Android application", "PlayBook hits market with National Film Board app", "RIM reveals every TV broadcaster, film studio and music label that is on board for BlackBerry 10", "L'ONF et Le Devoir s'associent pour diffuser des essais interactifs", "Netflix Expands Pact with National Film Board of Canada, Adding 20-Plus Documentaries", "NFB to launch the Netflix of the documentary world", "All-Canadian movie streaming service curated by movie stars", "NFB launches plan to 'redefine' its relationship with Indigenous Peoples", "National Film Board aims to bolster Indigenous staff numbers", "There's no stopping legendary documentarian Alanis Obomsawin", "Inuit films move online and into northern communities", "New NFB collection includes 24 films on or by Inuit", "Cinema Revisited: NFB and the Indigenous voice | Toronto Film Scene", "Wapikoni Mobile: 10 years of mediation and intervention through audiovisual creation", "A Fine Day in Masset: Christopher Auchter Revisits Crucial Moment in Haida Renaissance", "Fixing the Gaze: New Indigenous Work at the NFB", "Now Reconciled: Nearly 50 years later, the director of a landmark First Nations film gets his rightful recognition", "The Aboriginal Voice: the National Film Board and Aboriginal Filmmaking through the Years", "Researchers build archival record of feminist filmmaking in Canada", "NFB pledge for gender parity could spur change in Canadian film industry", "Canada Bankrolling More Female Directors to Close Gender Gap", "NFB aiming for parity in many creative roles by 2020", "Place aux femmes et à la diversité à l'ONF", "NFB aiming for parity in many creative roles by 2020 | Montreal Gazette", "10th Edition of NFB's 'Hothouse' Yields 8 Shorts", "Oscar nomination sets bar high for Montrealer's second film", "Une cinéaste de Saint-Joseph-de-Sorel lauréate d'un prix prestigieux", "Rene Bourdages to join Canada's National Film Board", "Vancouver's Loc Dao becomes the National Film Board's new digital czar", "Michael Fukushima Tapped as Executive Producer of NFB's English Animation Studio", "Julie Roy becomes Executive Producer at the NFB's French Animation Studio - Maral Mohammadian and Jelena Popović named as producers at the English Animation Studio", "Anita Lee named NFB Ontario executive producer", "NFB hires EP for Pacific and Yukon Centre", "NFB names Generoux to Saskatchewan post", "Mid-century lens: The National Film Board of Canada's still photos, 1941-71", "Press release: The NFB announces the measures that will be implemented under the deficit reduction action plan", "L'UQAM établit ses quartiers à la CinéRobothèque", "National Film Board of Canada appoints 11-year veteran Claude Joli-Coeur as new chair", "Government Film Commissioner and Chairperson of the NFB", "National Film Board of Canada Topper Exits With Time Left on Term", "NFB head Tom Perlmutter appointed for new term", "The National Film Board Of Canada:Eyes of Canada", "The National Film Board of Canada: Auteur Animation", "Neighbours, animated, directed and produced by Norman McLaren in 1952", "Oscars 2012: Canadian nominees celebrate in Los Angeles", "Academy to Celebrate National Film Board of Canada Anniversary", "NFB's Oscar success driven by short films", Cartoons Considered for an Academy Award-1979-Cartoon Research, Cartoons Considered For An Academy Award-1978-Cartoon Research, "The 60th Academy Awards (1988) Nominees and Winners", "The Man Who Planted Trees Wins Animated Short: 1988 Oscars", "Cartoons Considered For An Academy Award – 1984 -", "Cartoons Considered For An Academy Award – 1977 -", "Cartoons Considered For An Academy Award 1975 -", "Cartoons Considered For An Academy Award 1974 -", "Cartoons Considered For An Academy Award 1971 -", "Cartoons Considered For An Academy Award 1969 -", "Cartoons Considered For An Academy Award 1968 -", "Cartoons Considered For An Academy Award 1967 -", "Cartoons Considered For An Academy Award 1966 -", "Cartoons Considered For An Academy Award 1964 -", "Cartoons Considered For the Academy Award – 1963 -", "Cartoons Considered For An Academy Award – 1952 -", "NFB, FremantleMedia pick up Interactive Rockies", "Gemini Award organizers tap special honourees", "Waterlife.nfb.ca Wins Prestigious Webby Award", "Webby awards honour NFB, girls say video", "Canadians Grimes, Justin Bieber, Bear 71 doc among Webby winners", "Google, Jay Z, NFB among 2014 Webby winners", "Secret Location, NFB take two wins each at Digi Awards", "Paul Cowan's inquisitive eye: war games porn stars and the Ghosts of Westray", "May The Force Be With—D'Oh! The NFB's French-language animation unit was founded in 1966 by René Jodoin. The NFB has been a leader in films by women, with the world's first publicly funded women's film's studio, Studio D, followed subsequently by its French-language equivalent, Studio des femmes. NFB-produced and co-produced works featured at prestigious non-fiction forum. [27], In 2010, the NFB released an iPad version of their app that streams NFB films, many in high definition. Club Sea Ray is the online home for Sea Ray owners world wide! Screenwriter Jacques Bobet, hired in 1947, worked to strengthen the French Unit and retain French talent and was appointed producer of French versions in 1951. [6], In addition to the English and French-language studios in its Montreal HQ, there are centres throughout Canada. As of 2017, 53% of its producers and executive producers are women, as well as half of its administrative council. The NFB played a key role in both the Cinéma vérité and Direct Cinema movements, working on technical innovations to make its 16 mm synchronized sound equipment more light-weight and portable—most notably the "Sprocketape" portable sound recorder invented for the film board by Ches Beachell in 1955. The politicized Oscar. [37], The NFB was a pioneer in several novel techniques such as pinscreen animation, and as of June 2012, the NFB is reported to have the only working animation pinscreen in the world. [120] 55 of the NFB's 75 Oscar nominations have been for its short films.[121]. The series became the subject of an inquiry by the Senate. [25][26], In 2006, the NFB marked the 65th anniversary of NFB animation with an international retrospective of restored Norman McLaren classics and the launch of the DVD box set, Norman McLaren – The Master's Edition. Pedagogical evaluations and study guides are only available to CAMPUS subscribers. [168] In 2013, Bear 71 received the Webby for best net art. That no one ever grew old or moved on. [164], As of 2016, NFB web documentaries have won 17 Webby Awards, presented International Academy of Digital Arts and Sciences for excellence on the internet. The NFB budget has since been cut again. [62] When the BlackBerry PlayBook launched on April 19, 2011, it included a pre-loaded app offering access to 1,500 NFB titles. These films were based on current news and often tackled wartime events as well as contemporary issues in Canadian culture. "[83] Subsequent films included the 1969 documentaries These Are My People and You Are on Indian Land. nfb.ca Iceland on the Prairies This film tells the inspiring story of the rise of the Icelandic communities in western Canada and their fine contribution to the Canadian heritage. In 1974, in conjunction with International Women's Year, the NFB created Studio D on the recommendation of long-time employee Kathleen Shannon. The results of Grierson's report were included in the National Film Act of 1939. In May 2015, the CFC and NFB announced a new version of the program entitled the NFB/CFC Creative Doc Lab. [166] In 2011, Welcome to Pine Point received two Webbys, for Documentary: Individual Episode in the Online Film & Video category and Net art in the Websites category. Director General, Creation and Innovation: René Bourdages. [98], As of 2015, the NFB is organized along the following branches:[99]. [77], In 2005, the NFB introduced its "First Stories" program for emerging Indigenous directors from Alberta, Saskatchewan and Manitoba. [35], When Norman McLaren joined the organization in 1941, the NFB began production of animation. [51][52], The NFB is also recognized as a leader in virtual reality,[53] with works such as the Webby Award-winning The Unknown Photographer, Way to Go and Cardboard Crash. It has English-language and French-language production branches. There was a French Unit that was responsible for versioning films into French but it was headed by an Anglophone. [23], In the early 1970s, the NFB began a process of decentralization, opening film production centres in cities across Canada. [16], In 1967, the creation of the Canadian Film Development Corporation (now known as Telefilm Canada) refined the mandate for the National Film Board. [163] In August 2011, the NFB received an outstanding technical achievement in digital media award from the Academy of Canadian Cinema & Television. [107], The division's work is the subject of a 2013 book by Carleton University art professor Carol Payne entitled The Official Picture: The National Film Board of Canada’s Still Photography Division and the Image of Canada, 1941-1971, published by the McGill-Queen's University Press. [35], The alternative drama films were The Masculine Mystique (1984), 90 Days (1985), Sitting in Limbo (1986), The Last Straw (1987), Train of Dreams (1987), Welcome to Canada (1989) and The Company of Strangers (1990). Neighbourhood pillar Grandma Kay tell the local children the tale of how Crow brought fire to people. [82] After only five months' training about various aspects of filmmaking, participants worked on community development projects and research for future films. It was updated in 2002 by the firm of Paprika Communications. [76] Films from the Nunavut Animation Lab include Alethea Arnaquq-Baril's 2010 digital animation short Lumaajuuq, winner of the Best Aboriginal Award at the Golden Sheaf Awards and named Best Canadian Short Drama at the imagineNATIVE Film + Media Arts Festival. As of March 2013, the NFB devotes one quarter of its production budget to interactive media, including web documentaries. [11], As part of the 2016 Canadian federal budget, the NFB will receive an additional $13.5 million in funding, spread out over a five-year period. [94], Hothouse, a program for emerging animators that marked its tenth anniversary in 2015. [58], In October 2009, the NFB launched an iPhone application that was downloaded more than 170,000 times and led to more than 500,000 film views in the first four months. [38], McLaren's Oscar-winning Neighbours popularized the form of character movement referred to as pixilation, a variant of stop motion. From the 1970s by Pudlo Pudlat (Kinngait / Cape Dorset). [35] Generally starring non-professional actors, these films used a documentary format to present a fictionalized story and were generally scripted by the filmmakers and the cast through a process of improvisation, and are thus classified as docufiction. 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